“Integrating a violin inside a Max/MSP-based interactive system, multi-disciplinary artist and teacher Thea Farhadian – a former student with various luminaries of improvisation and electronic composition – lets us inhale fumes of disassembled harmony and dissonant refractions. What separates her from the typical “just-plug-and-let’s-see-what-happens” tedium-transmitting specimens is the ability in rendering the most absurd-sounding complications with sensible unambiguity. “ — Massimo Ricci, Touching Extremes, Nov 11, 2016