The Sound Projector, integer studies, Ed Pinsent, 14/08/2017 [english]

Artist Interview: Pride and Joy: LGBTQ Artists, Icons and Everyday Heroes, Kathleen Archambeau, 2017

Chain D.L.K., Thea Farhadian: Tectonic Shifts,
Nov 26, 2017 [english]

Jazz Portugal, Rui Eduardo Paes, Thea Farhadian: “Tectonic Shifts” (Creative Sources) 27 February, 2017 [Portuguese]

Onyx, Jean-Michel Van Schouwburg, Tectonic Shifts Thea Farhadian, Creative Resources 365, 8 February, 2017 [French]

Vital Weekly, Tectonic Shifts, 19 December, 2016 [english]

Textura, Thea Farhadian: Tectonic Shifts, October 2016 [english]

Touching Extremes, Massimo Ricci, Tectonic Shifts,
11 November, 2016 [english]

Electronic Musician, Gino Robair, Thea Farhadian - Tectonic Shifts,
November 2016 [english]

CatSynth, Amanda Chaudhary: SFEMF Night 3: Arcane Device, Thea Farhadian, Alessandro Bosetti, September 2016 [english]

The Sound Projector, Ed Pinsent, Clip Art, 9 November, 2016 [english]

Sands-Zine, Mario Biserni, Tectonic Shifts // Modus of Raw,
6 November 2016 [italian]

Bad Alchemy (92), Rigobert Dittman, THEA FARHADIAN Tectonic Shifts [german]

San Francisco Classical Voice, Rebecca Wishnia, Making Possible the Impossible at S.F. Electronic Music Festival, Includes review of solo violin and interactive electronics set. [english]

Onyx, Jean-Michel Van Schouwburg: eXcavations,
17 August 2016 [french]

Bad Alchemy (87), p.14, 2015. Rigobert Dittman, BlackCopper Editions [german]

Sands-zine, Mario Biserni: eXcavations / Red Blue, 11 November 2015 [italian]

Wall Street International "Solo Violin & Interactive Electronics," July 26, 2012, [english]

The Armenian Reporter, Alexandra Bezdikian, Exploring the mysteries of memory through music, May 24, 2008

The Armenian Weekly, Armenian Film Festival Shines in San Francisco,
March 4, 2006, by Tamar Salibian

Groong, Bedros Afeyan, Compressing Time, Expanding Horizons: The Armenian Film Festival of San Francisco in February 2004

MIT Press, Christine A. Finn, Artifacts: An Archaelogist's Year in Silicon Valley," p. 182, 2001